Last post I included what was the first installment of Bus Poetry. I don't know if it's a particularly novel idea, (I'm almost sure it isn't), but it functioned as an exercise, and if nothing else, a reconnection to transitory writing.
A little while back, I was without working car, and so, being beholden to two jobs, the bus won out over walking. It was on there that I fell in love with writing while moving. There is something that, it would seem, makes subjects flow easier, as there are no other real options but sitting there and stewing. Or maybe that's just how I think. I don't know. I'm not you. Anymore.
But let's pull back from crazy for a second. The point is, that there is something about the notion of movement that allows for concepts to naturally flow. I had a particularly successful run of this today, working out ideas as I came to know the greater Long Beach and Lakewood areas. And not by fucking choice, mind you, but because the ladyfriend had the car. And had to "work." Because she's "responsible." And puts up with me "sitting on a bus and waxing artistic while I don't do anything because I'm hairy and lazy."
I think we can see who's in the right there.
But outside of writing, I also took frequent breaks to read. This leads right around to this being a comic-related thing. See? There.
BUS READS:
Transhuman by Jonathon Hickman
Manara Erotica 1 by Milo Manara
Red Mass for Mars by Jonathon Hickman
Hickman is the (Hick)man. Having now finished Pax Romana, and being up to date (in trade) with his Fantastic 4, as well as following both Teeth and Manhatten Projects, I can say confidently that he's earned the FUCKING UP MY SHIT badge (which I will eventually have illustrated).
Similar in more ways than one to Grant Morrison, Hickman presents at once both the scientific and fantastic in one coherent thought. High concept as always, Transhuman takes on, in documentary form, the evolution of transhumanism in the not too distant future. This is set, often hilariously so, to the backdrop of Microsoft and Apple, more than once skewering them both for the unrighteous cunts that they are. The ideas of tech versus evolution, flesh versus steel, are present, but where he really succeeds is in pointing out, similarly to our gadget oriented culture now, that new steps, no matter how wondrous in scope, will largely be taken at their basest level by a consuming public. The idea that, if offered the stars, humanity would choose the sky, settling comfortably into jet packs while the quasars in the distance shrug and slump unnoticed.
This reflects, ultimately, not only a disappointment in humanity, but a warning that disabling the things that make us fear, the things that make us mortal, will ultimately lead us to our doom. Humans exist at the top of the animal kingdom, one in which there is always something to usurp an unguarded throne.
I'll admit I haven't finished Red Mass for Mars, so I'll reserve my review until later.
The Manara Erotica wasn't technically read on the bus. So there's that. But I just finished it alone in my dimly lit bedroom. I'll leave you to ponder further while I get wet naps.
I'm back.
Manara can't write for shit. I've read something around nine books from him now, and whether he's writing or not, they stories tend towards the ridiculous, if not utterly insane, and lean so heavily on Manara's ability to craft a female backside that all readers should be ashamed. But! The whole point of Manara's work is to not be ashamed. They are, however crudely, celebrations of the erotic, bathed not in disgust, but in an unabashed interest in the carnal. The characters are unruly animals generally, but never in a really cruel way, and their images, however idealized, do not reflect the general comic book ideal, instead opting to function as people in various erotic situations.
Every line, gifted with Manara's sparing ink work, is carefully set, every curve and angle, to show the care he takes in crafting these characters. His passion for human passion. This isn't to condone him completely, at the end of the day, the stories are relatively poor, but to say that he's not a writer, instead, he's one of the few pencillers so gifted as to not need a good story.
I'm about to start The Celestial Bibendium, which, for all fans of The Triplets of Belleville, should be a treat.
I was not a fan. So we'll see.
Keep an eye out for a few DIY books I'll have out soon. I'll hopefully make them available here as well as in real life, WHICH STILL FUCKING EXISTS, as well as previews as I can provide them.